Headshot & Resume
Updated as of October 2026.
Soprano ✽ Legit F♯3–C6 ✽ Belt F♯3–D5 ✽ 5’7” ✽ Brunette ✽ Blue Eyes ✽ Non-Equity
Headshots by Andrew Alstat @andrewalstat_photography
Watch my workor
Read my full credits in more detail belowPerforming Experience
The one-page PDF carries a near-complete selection of the credits below.
Regional
Resident Company Member, Suncoast Broadway Dinner Theatre — 2025–2026 season
| Production | Role | Theatre or Company | Director |
|---|---|---|---|
| Church Basement Ladies | Signe | Suncoast Broadway Dinner Theatre | Steven Flaa |
| Rock of Ages | Waitress / Ensemble | Suncoast Broadway Dinner Theatre | Joshua Buscher |
| Come From Away | Swing (Janice, Beverly, Bonnie) | Suncoast Broadway Dinner Theatre | Joshua Buscher |
| Sunkicks Holiday Spectacular | Noel (Featured Vocalist “All I Want for Christmas Is You”) | Suncoast Broadway Dinner Theatre | Kurt Terrio · Charity Terrio |
| Million Dollar Quartet Christmas | Dyanne | Suncoast Broadway Dinner Theatre | Matt Cusack |
| Grease | Marty | Suncoast Broadway Dinner Theatre | Alyssa Sarnoff |
| Mary Poppins | Featured Ensemble (Annie / Ms. Smythe) | The Legacy Theatre | Mark Smith |
University
| Production | Role | Theatre or Company | Director |
|---|---|---|---|
| Mozart’s The Marriage of Figaro | Susanna | Viterbo University | Jeni Houser |
| Sweeney Todd | Johanna | Viterbo University | Brittany Bara |
| 42nd Street | Phyllis Dale / Ensemble | Viterbo University | Shane Rhoades |
Additional Credits
| Production | Role | Theatre or Company | Director |
|---|---|---|---|
| Anything Goes | Virtue (Angel) | Theatre In The Park | Amy Sanders |
| Joseph and the Amazing Technicolor Dreamcoat | Canaan Days Dancer | White Theatre | — |
Education & Training
The mentors who made a difference
| Program/Course | Description | Institution |
|---|---|---|
| BFA, Musical Theatre with minors in Dance & Arts Administration (2021–2025) | Four years of conservatory training across acting, voice, and dance, with involvement in multiple productions. | Viterbo University |
| Musical Theatre Dance & Jazz | Trained in musical theatre dance and jazz through the study and performance of original Broadway choreography, industry-style dance combinations, faculty critiques, peer feedback, and mock dance auditions designed to develop audition readiness and professional performance skills. | Shane Rhoades — Viterbo University |
| Tap, Ballet & Modern | Maintained consistent tap, ballet, and modern training focused on strengthening technical foundations, refining core skills, and developing the precision, coordination, and discipline essential for dance performance. | Emily Craver — Viterbo University |
| Voice | Weekly private study with repertoire coaching and audition-cut preparation. | Karla Hughes · Janette Hanson — Viterbo University |
| Scene study and MUTH Lab | Strengthened musical theatre performance skills through scene study duet and trio work and solo acting-through-song training, both courses focusing on beat work, truthful storytelling, and the ability to bring intention and authenticity to both ensemble and individual performances. | Teddy Eck · Rick Walters · Erin Jerozal · Mary Trotter — Viterbo University |
| Foundations | Received 15 years of comprehensive performing arts training including ballet, tap, musical theatre, lyrical/contemporary, modern, and pom dance, along with competitive dance experience in group numbers, solos, duets, and small groups. Training also included multiple musical theatre productions a year and weekly private voice lessons, developing a strong foundation in performance, technique, and artistry. | Jennifer Renfrow — Center Stage Academy of the Performing Arts, ages 3–18 |
Special Skills
- Right splits
- Quad pirouette (right)
- Turns in second
- Creating choreography
- Dance in heels
- Harmony singing
- Childcare
- RP accent
- Cockney accent
- Southern accent
- Newfoundland accent
- Northern Minnesota accent
Praise
“…you feel her sheer joy of performing.”
“Beth Anderson is simply wonderful as bespectacled Marty, and her ‘Freddy, My Love,’ never one of the show’s more famous songs, gets a standout treatment here. Anderson is always in character, just right as the more experienced Pink Lady, and you feel her sheer joy of performing.”
Let’s Connect!
Headshot and resume PDF download is available at the top of this page. For availability, auditions, and general inquiries, don’t hesitate to reach out! Whether you’re casting, collaborating, or just wanting to say hi, I’d love to hear from you!
Contact Beth →